Seriously tired

I was shooting today, running all over South Beach with two models today. My day started at 8am with waking up, finishing doing some cleaning/prep work around here for the shoot. First model got here at 10am. Stopped shooting around 7pm tonight.

My body is tired. It’s exhausting, really. Especially to shoot for that long. Drove to three different locales on South Beach (oh, and a trip across the causeway to look at one place which we decided against). At each stop, I’m unloading, setting up, moving all over the place around the model to get the angle, get the shot.

Shot on Espanola Way (no nudes), out on the jetty at the end of South Beach, and at the Botanical Garden across from the Miami Beach Convention Center. Walking all over the place, stopping, setting up video, changing lenses, working under time constraints, climbing everywhere (the jetty being the most cumbersome place)… tiring.

But, the good news is that I got some good shots today. And I got some good video. Shooting outdoors, though, is just so stressful. And tricky with people and audiences.

The video/photos on Espanola Way… thank god it wasn’t packed. When I was planning that in my mind the other day, all I could think was: I don’t want people in the background blur just standing around looking at the girls I would be shooting. Even with as few people as there were, all of the waiters from one restaurant came out, and everyone that came by stopped and stared. Cameras in the background going off. Cellphones. Ugh. When I did the shoot on Lincoln Road, that was perfectly fine. But I didn’t want it in this.

It’s okay. I got what I needed. And they’re both going to have great, great shots. And one seriously kick ass video. :)

But my god, I am tired. I’m going to bed now. Nice bonus to day: my bed now smells entirely of the body lotion used by the girls today and one exquisite perfume the first model wore. Since smell is my favorite sense, it’s going to make for a peaceful sleep with that lingering in the sheets.

Personal photographer


For the past month and a half, I’ve been working as the personal photographer for two different models. I’m supposed to start working with a third girl shortly. It’s been cool. I’m enjoying it.

It’s consuming, though. I haven’t been able to focus on much street photography at all. However, I’ve been able to improve upon some of what I’m doing with shooting models. Although, at times, I feel a little stagnant. The latest model I’ve started working with, though… she wants to shoot different kinds of stuff from what I typically shoot, so that’s been cool in that it gives me the opportunity to expand a little bit.

It’s good stuff, doing this. I’m just hoping to have the time soon to get back to shooting everything, not just models.

The cable guy

So I decide yesterday, as I’m paying me cable/internet bill over the phone, that I don’t want cable any longer. The only reason I ever got it was for my kids and, of course, they don’t live here now. They tell me a guy will come out tomorrow (today) and disconnect it for me. Great.

Guy shows up today. Contractor. Comes inside, asks, “You don’t want the cable?” I explain about the kids. “Because you can keep it. They don’t have to know.”
“Really,” I ask. I’m so naive.
“No, they know what I tell them,” he says. “If I tell them it’s disconnected, then it’s disconnected.”
“But don’t they do periodic checks and stuff,” my eyes brightening over the thought of free cable.
“Nah.”

I ponder this. I’ve never stolen cable before, but here’s a cable guy offering it to me.

Then he says, “Just give me $40 and that’s it.”

Doh!

“Oh, man, I’m sorry. I don’t have $40,” I tell him.
“How much do you got,” he asks.
“$2. I think.”

He looks at me as if he’s actually considering taking my $2.

“I’m sorry,” I say. It would be a sweet deal, but I just don’t have the cash.

He fiddles some with his Blackberry.
“Ok, sign here.”
I sign.
He leaves.

He didn’t touch any wires. I wonder if I have free cable? Maybe he felt bad for me that I only had $2 cash on me.

Assistance requested

I recently got an email, from a photographer just getting started, asking if I needed an assistant; they wanted to wanted to watch me work. (And here I would like to point out that there is no excitement in watching me work; possibly watching the models would be exciting, but watching me move furniture, climb up and down a stepstool, wipe a spot off of a wall, walk all over the place looking for the angle, direct models… not so exciting.)

While an assistant during shoots would be nice, honestly, more than anything else… I want an engineer. I need someone mechanically inclined to build me some rather large items that would help tremendously with some effects I’d like to incorporate both into photos and video. If anyone knows someone who would be interested in helping me with this, I would greatly appreciate it if you would get in touch with me.

A year in pictures.

Girl on a rug, no. 201

It was a year ago today when I had what I refer to as my first model shoot. The model? Madison Scott.  I talked somewhat about that shoot (and others I had done at the time) in an article I wrote last year for Miami Beach USA.  (The article is a little out of order: Madison was first/second – I didn’t shoot Briana until after Kristin; it all seems like a lifetime ago, now.)

But that shoot… that shoot with Madison set me on a course that I would not have imagined not even six months prior.  It was a landmark day for me.  I wanted to shoot models.  I felt certain I could do it.  So I ran an ad on Craigslist and Madison responded.

Here I am, a year later now, and shooting models is what I do.  It was a good year.  It was a good move.

Entirely related to this… a while back I mentioned that I had wanted to publish a book.  I had also mentioned there being a recurring theme throughout my shoots that I wanted to put into print.  That theme was “girls on a bed.”  After tossing and turning the book concept over in my head for a long time, I decided to limit the book to one shoot in particular: my shoot with Madison Scott and Britney Brooks together.

I’ve only ever publicly released around 35-40 photos from that shoot of them (including the new one in the Girls of Ipanemic gallery – warning, NSFW ).  I had previously mentioned taking photos during certain shoots before that I never knew what to do with because it seemed a waste to just throw them on the web; these images seemed to deserve more than just that.  This book has those images.  It has many of those images.

But this isn’t about the book; I only wanted to mention it.  I had hoped to have had the book released by today to coincide with this anniversary but that didn’t quite work out.  I do anticipate release within the next two to ten days, though.  :)